(PG) Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll

Marvel is attempting to pull off a heist. Ant-Man is their opportunity to prove themselves in this new genre – a first for the Marvel cinematic universe.  Paul Rudd (Role Models) is the lead in this miniature hero caper who would at first seem to be a stretch to consider for the role, but the whole concept of an Ant-Man movie has been a little dicey from the get-go.

Early trailers seemed a little ho-hum and a change of director and direction early on seemed not to bode well. Could this be the first Marvel film to tank at the box office? It is possible that this comedic actor could be right to provide the ‘nudge, nudge, wink, wink’ element of this heist film? Can this film even be taken seriously? And more importantly, can director Peyton Reed (Yes Man) manage the daunting task of making this microscopic hero into a believable superhero?

Let all the doubt and scepticism cease, Reed delivers on this formidable task. He proves that size does not diminish the impact of this superhero within the Marvel Universe. Most comic book adaptations have well placed dialogue and humour in between a multitude of action scenes. Reed turns this concept around and manages to make a laugh-out-loud, heist film that is connected by convincing action scenarios and knowing winks and nods to other Marvel films.

In an era where graphic novels are getting pulled into a darker realm, Ant-Man provides a superhero that does not take himself too seriously. Reed even manages to make light of the product placement and uses it to provide some of the most endearing lines in the script.

Rudd plays the con-man Scott Lang who is recruited by Dr. Hank Pym (Michael Douglas) to pull off the recovery of another super-suit that provides the same abilities as the Ant-man suit. Pym was the original mini powerhouse and alongside his daughter Hope (Evangeline Lillyattempts to mentor the brilliant burglarThey strive to use his less than savoury skills as a thief to save the world and to fill the hero role that has been repressed for years.

The Pyms and Lang must team up to stop the nefarious plans of Darren Scott (Corey Stoll) who has Dr. Pym’s shrinking formula and the prototype new yellow-jacket suit, a weaponised version of the shrinking suit that both Hydra and Shield are interested in. For Lang, the motivation to save the world comes secondary to saving his relationship with his daughter which provides a fascinating restoration theme to this mad-capped adventure.

Paul Rudd is perfect in the role of Scott Lang. His portrayal of the smart, comedic, but flawed character is what this film needs to keep the tone light, fun and believable. His entourage make for a humorous, mad-capped origin story that leaves you wanting to see more of them in the future. It was great to see Michael Douglas (both young and old versions through the use of CGI) on the screen with the convincing old swagger needed for this minuscule mentor.

Evangeline Lilly moves successfully from The Hobbit trilogy (where arguably her talents were wasted) to Ant-Man to establish herself as a convincing heroine with her understated vulnerability and strength. The makers of Ant-Man have managed to do something different with this superhero journey, they make it accessible to a wider age bracket. Having a PG rating, this is the first crusader caper that parents would not have to hesitate taking their children to experience. Overall, it provides the balance between action, comedy, heart and a new puzzle piece in the ever expanding Marvel world.

Throughout the humour and action, there is an overarching theme of redemption. Scott Lang and Dr. Pym have their own redemptive journeys to travel. Their choices in life have caused casualties in their familial ties. The Ant-Man narrative has a redeeming message woven into the central character’s lives. In any superhero tale there is evidence of power and strength, which can be seen in this insect dominated story, but without giving anything away, the power of the film comes in the relationships of family and the need for atonement. Both of these men show that their children are the only individuals that need to see them as a hero.

This redemptive element adds a depth and freshness to this superhero tale. Coming from a cinematic sceptic, this film manages to make its presence known on all levels, a fun film that has the potential to steal the heart of any audience member.

What are some of the bigger questions to consider from this film?

  1. Does size matter when it comes to heroics?  (1 Samuel 16:7, Matthew 13:31-32)
  2. Can we become better as humans?’ (Genesis 1:27, Mark 7:20-23)
  3. Can mankind’s hearts change from evil to good? (2 Corinthians 5:17, 2 Timothy 2:21)

Russell Matthews works for City Bible Forum Sydney and is a film blogger

  • More on Ant-Man from The Big Picture



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