Trying to find joy after tragedy
Review: Goodbye Christopher Robin
(PG) Domhnall Gleeson, Margot Robbie, Will Tilston, Alex Lawther
Winnie-the-Pooh has been bringing children and adult’s joy and solace since his introduction in 1926. Since the two-volume set were written by A. A. Milne and illustrated by E.H. Shepard, the enthusiasm for the phenomenon of the bear at Pooh Corner has not diminished and remains one of the most recognisable brands in the world. Interestingly, the book and characters of the Hundred Acre Woods that have delivered so much happiness to people around the globe brought about pain and resentment for Milne and his son at the centre of the stories.
Alan “Blue” Milne (Domhnall Gleeson) was a successful playwright on the West End of London, but after serving on the front line during World War One, he came home a changed man, suffering from post-traumatic stress. He moved his family to the country to attempt to provide the writer with psychological well-being and to push him past a more traumatic situation, writer’s block. While caring for his son, Billy (Will Tilston, Alex Lawther) and taking him on long walks in the woods surrounding their home, Milne began to find solace in the imagination of his boy and gained inspiration from the adventures they had together with the younger Milne’s stuffed animals. These walks were the catalyst that broke the author free from his writer’s block and led to his creation of Winnie-the-Pooh and friends while using his son’s name as the character of Christopher Robin. The initial success of the books began a journey in the Milne’s lives that started with euphoric highs but that lead to extreme lows for the family.
This production does not bring about the warm and endearing emotions that usually come from Winnie-the Pooh, but draws more from the melancholy of the donkey known as Eeyore. For fans of the stuffed bear and Piglet, the hope is that the background would be a feel-good tale of the inspiration of the world-renowned children’s author and his family. Goodbye Christopher Robin draws more from the reality that sometimes the motivation to find comfort from the world’s ills comes with a price for all involved.
Similar to the story of the tragic life behind the charm of Marilyn Monroe in My Week with Marilyn, director Simon Curtis exposes the reality of the Milne’s lives. In studying the history of Alan and Daphne (Margot Robbie) Milne and their famous son, he reveals the weaknesses of parenting choices in that era and part of British culture. Also, the story shows that the desperate desire that children have for the love and acceptance of their parents. Gleeson is disturbingly convincing as the stoic patriarch of the family and Robbie is equality unsettling as the distant and fame-hungry mother. They manage to play to the actual characters described in the history books and Kelly MacDonald provides the winsome, but put-upon nanny of Christopher. Her relationship with the young boy does give a glimmer of hope in this moody biographical sketch.
Even with a hint of artistic license taken with the history, this is a troublesome, but fascinating look at the creation of a cultural icon. It is easy to see why these characters have prevailed throughout history, but knowing the darker impact this bear had on those closely associated with him does not add to the magic. It was worth going along the trail to see how Pooh came to be, but the comment that remains stuck in the brain upon leaving the cinema was merely, ‘Oh, bother.’
Can joy really come out of tragedy? Goodbye Christopher Robin shows the tragic tale that is behind the joyful character of Winnie-the Pooh. The experience of Billy Moon (Christopher Milne’s family nickname) and the mental state of his father draw to light that many times great joy can come out of darkness.
This could be said of the heart of the good news of the story the life and death of Jesus. Winnie-the-Pooh may be famous, but the stuffed bear cannot begin to compare to the awareness that the world has of the central figure in the Bible.
Jesus’ story is one of tragic beginnings and a horrific end, but throughout the journey of his short time on earth this tale of potential woe does offer hope to the world. His death is a symbol of joy everlasting for many and his life continues to provided overwhelm expectation of what is to be.
If you see your life as having little hope or joy, it may be a good time to check out the story of Jesus. Unlike Winnie the Pooh who stated, “I used to believe in forever, but forever’s too good to be true.” Jesus offers people a hope in a forever that goes beyond your wildest dreams. The world Jesus opens to us goes far beyond the imagination of A.A.Milne, Christopher Robin and his friends.
Russell Matthews works for City Bible Forum Sydney and is a film blogger
Make Room - A Fundraiser Concert for RefugeesSun, 4th Jun 2023
Regional Partnership Information ExpoTue, 6th Jun 2023 - Thu, 8th Jun 2023
Propel FOCUS | SydneyFri, 9th Jun 2023
Spiritual Care Australia Conference - Trajectories of HopeMon, 19th Jun 2023 - Wed, 21st Jun 2023
National Conference of Lay Preachers 2023Fri, 4th Aug 2023 - Mon, 7th Aug 2023
- See more events
ADD AN EVENT
Are you hosting an event in the Synod that will be of interest to Insights’ readers?
To add an event listing email us your event details. A full list of events can be found on our Events page.
1 thought on “Trying to find joy after tragedy”
I commend this film. It’s a well-told story, powerful in its emotional impact and very well acted. If Will Tilston (the young Christopher) doesn’t win your heart and your sympathies, then no on-screen performance ever will!
It’s a sad movie for the most part, but part of the good story-telling is that there are just enough light and positive moments to prevent it descending into morbidity. There’s a scene with lots of red balloons that is one such moment, but which is also quite pivotal for the process that AA Milne had to go through.
Don’t see this film for an accurate history of the relationship between AA Milne and his son. It’s historically inaccurate in many ways, most notably in that the reconciliation between Christopher and his father did not happen. Only years after AA Milne’s death did his son come to some sort of reconciliation with his own history, a life of which he once said, “It seemed to me almost that my father has got to where he was by climbing upon my infant shoulders, that he had filched from me my good name and had left me with the empty fame of being his son.”
In looking for a “Christian” approach to this film I go in a different direction to Russell. To me the overpowering message of the film, and the family life of the Milnes, is that of Colossians 3:21 – fathers do not provoke your children lest they become discouraged. Christopher Robin’s parents did not love him the way we understand parental love. They readily admitted that they would have preferred a girl when their child was born and raised him as unwanted. As a result, he lived a discouraged life. Although he grew up to be a very functional, happily married man, there seems to have been an understandable deep sadness over him. Christian parents, let us not be like that! Let us cherish our kids, support them and fight for them, nurture and encourage them.
As the older Christopher Robin says to his father in the movie after returning from the war, “all I wanted was you.” Some critics have seen this as rather too sentimentalist and smaltzy, but for me it captures what the story is really all about. Though I suppose it was sentimental – I readily admit to crying during Goodbye Christopher Robin.